A and A's Movie A Day

Watching movies until we run out.

Movie 392 – Spider-Man 3

Spider-Man 3 – March 27th, 2011

I did not want to watch this tonight. Actually, after the last two movies I didn’t ever want to watch this. The first movie wasn’t great. The second one was thoroughly unpleasant. I mean, it was irritating. And annoying. And from what I had heard, I expected this one to be abysmal. The downward trend seemed a little too steep to correct in the space of one movie. And I can’t believe that anything done in this movie was supposed to make anything better. Much like the Venom symbiont, it amplified characteristics of its host. Negative ones. But not aggression. More like suckage. It has everything I disliked about the first and second and more. In one overlong, overcomplicated morass.

When we start with this movie, Peter is on top of the world. Which is a nice change from the last one, but it’s like he’s a pendulum and we only get to see him at one extreme or the other, never in the middle. He’s either an ego-maniac smarming for his crowds of adoring fans (or horrified onlookers) or he’s Mopey McMoperson, Mayor of Mopeville. But hey, I’ll take what I can get, you know? And what I can get is at least a few minutes where Peter’s not making me wince for one reason or another. Unfortunately, that doesn’t last long. I understand the Venom plot and Peter’s personality getting amped up by the symbiont, but that doesn’t explain his performance in the park when Gwen Stacey gives him the key to the city and they smooch. Basically, the movie is setting him up as a douche. And then it goes and introduces a bigger douche and then gives them both super douche powers. But I’m getting ahead of myself! We’ve got a bunch of other plots to cover before we get to Venom.

First of all, let’s talk about Harry. We left off with him having delusions of his father talking to him and telling him to avenge his murder. So, yeah, Harry’s gone the way of the Goblin and attacks Peter a few times, both physically and emotionally through MJ. Next we’ve got Flint Marko, an escaped convict who, it turns out, was actually responsible for Uncle Ben’s death. But Marko’s a bit of a question mark as a character cause he claims it wasn’t the way it’s been presented and sadly, he doesn’t get much time on screen to be a character. Because before we get to know much more than that he’s escaped from jail and his daughter’s dying, he gets caught up in some particle physics experiment with sand and suddenly we have a walking dune. He wants to get money to save his daughter but Spider Man won’t let him steal it, so what’s a guy to do, right? Then we forget about him for a while because Harry’s got amnesia and can’t remember his vendetta against Peter. Then he remembers it again. Peter gets shut out of a job at the Bugle by the douchetastic Eddie Brock, whom he then exposes as a fraud and who then goes way overboard by wanting Peter dead. Yeah, that’s a healthy response there, Brock.

If all that wasn’t enough, through it all is MJ, whom Peter wants to propose to but he’s never around for her and keeps making everything about himself (douche!). The addition of Gwen Stacey as a pawn in the whole romance plot makes sense, but I don’t really like it. She deserves a little better. At least the movie tacitly admits that when she walks out on Peter after his incredibly gross display in MJ’s nightclub. The whole Venom plot, with Peter’s suit (and Peter himself) getting infected by a nasty symbiont from outer space that amplifies characteristics, specifically aggression (apparently in all forms) ties into this here, with him acting out all over the place. And then it infects Brock, so we get another villain on top of our new Goblin and Sandman. The trouble is, that while Peter’s infected, the only people left to root for are MJ, Gwen and Jonah, who are all given so little time it barely counts. And oh, oh do I weep for the lack of awesome Jonah, who is toned way down in this movie because he’s on blood pressure meds. Yes, really.

What a muddled mess of a movie. The relationship issues with MJ, Harry taking up his father’s mantle then getting amnesia, Sandman, Venom, smug celebrity Spidey, Gwen Stacey? Of course it’s the longest of the three thus far. It would have to be to have all of that. But really, come on. Pick a plotline, or a pair of plots! Run with Harry and Sandman! Or Venom and Stacey! MJ would certainly end up involved with either. But bundling them all together into a single movie doesn’t work. More plot doesn’t mean a better movie. Oh, it’s bodged into a semblance of coherence, with the Venom stuff seeping into the other parts. But it ends up feeling like every plot in the movie is lessened for there being so many plots.

The really sad part? Is that the end, with Sandman and Spider Man and the whole culmination of their plot once Venom and Harry are out of the way and MJ’s safe? It has some good emotional impact and Sandman/Marko and Spider Man/Peter have some similarities that echo nicely. Neither of them asked for their powers. Both of them want to help someone they care about. And the end for Harry and Peter brings things to a nicely bittersweet close. The endings aren’t spectacular, but they work. The problem is that those endings along with the endings for Venom and for Peter and MJ, we had to have four! If the movie had somehow managed to have all of the various plotlines come together for one actual ending with a coda after the fact? I’d have at least had to concede that they’d been tied together. Having to end them all separately is an admission that they were only loosely spun and easily unraveled.

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March 27, 2011 - Posted by | daily reviews | , , , , , ,

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