A and A's Movie A Day

Watching movies until we run out.

The Terminator

June 21, 2011

The Terminator

This is one of my favorite sci-fi action films of all time. I was way too young to see it when it came out in 1985 – I was a sensitive thirteen year old and the blood and gore of this movie would have been too much for me. When I finally did see this on VHA, probably about three years later, it was mind blowing for me. Oh, I was still pretty freaked out by some of the gore (such as when the Terminator cuts into its own arm and removes its eye) as this was probably only the third or fourth R-Rated movie I ever saw, but I simply couldn’t look away – the movie is so incredibly awesome.

This movie has everything a sixteen-year-old boy could want in an action movie. Explosions, gunfights, car chases, time travel, an apocalyptic future, and a sex scene. How could it not leave an indelible impression on me?

The plot of the movie is fairly straight forward. Two warriors have come back from a post-apocalyptic future where machines have been trying to wipe out humankind. One is a T-100 series Terminator – a machine built by Skynet to infiltrate human colonies and wipe them out. It has a flesh and blood exterior, but inside it’s an unstoppable killer with only one purpose: to kill Sarah Connor. Her unborn son John, you see, is the leader of the human resistance which is on the verge of wiping Skynet out once and for all after decades of war. The other time traveler is Kyle Reese, a fighter hand-picked by John Connor to protect his mother and preserve the future. That’s pretty much the whole movie right there (except for some cool time-travel stuff that is revealed at the very end.) A simple man trying to defend an unsuspecting waitress from the most single-minded killer of all time.

I think that part of what makes the movie work so well is that it’s so brilliantly simple. We get a little plot exposition here and there – a few glimpses into Reese’s past (which is in the future) – and there actually is some romance and connection between Kyle and Sarah – but it’s mostly just pure action. This is the movie that proved that James Cameron knew action blockbusters better than just about any other director in Hollywood. It’s amazing to think that this was his first big break-out hit. (Though we still have the first feature film he directed waiting in the stacks here to be reviewed.)

Cameron knows how to build to a crescendo. He knows how to do an action set-piece (like the iconic police station shootout.) He knows how to inject just the right amount of humor (the gun merchant for example) or pathos (Reese’s recollections of the future.) And of course the stubborn refusal of the Terminator to stay dead at the end of the movie is the very blueprint from which many future movies would be drawn, including Cameron’s own Aliens.

Amanda commented on how well the special effects in this movie have aged, and she’s right. This movie uses every trick in the effects grab bag of the pre-digital era including miniatures, animatronic puppets, fantastic make-up (Stan Winston of course) and stop-motion animation. Sure most of the time you can spot the tricks, but they still look good enough to be believable. Part of the charm of the movie for me is figuring out how it was done anyhow.

The script is extremely polished, with the time-travel aspects better handled than just about any other movie with the possible exception of 12 Monkeys. It’s just so perfectly put together, from the photograph of Sarah that Reese has in the future to the very concept of the terminators themselves, and the explanation for why no futuristic technology could come through. I love absolutely every performance in the movie too. Michael Biehn would of course work multiple times with Cameron again in the future. Arnold Schwarzenegger was already well known at this point of course for his iconic performances in Hercules in New York and Conan the Barbarian, but this was the movie that established him as an action super-star complete with catch phrase. And Linda Hamilton gave the movie a much needed human touch as the girl being hunted who has to figure out in a very short amount of time how to defend herself.

From Brad Fiedel’s percussive score to Arnold’s accented monotone to the above average special effects to the tightly written plot everything about this movie raises it above the average eighties action movie fare. No other action movie before or since in my experience has done everything so perfectly right. Though James Cameron sure has tried a few times. We’ll look at one of those attempts to replicate the success of this movie tomorrow.

June 21, 2011 - Posted by | daily reviews | , , , , ,

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