A and A's Movie A Day

Watching movies until we run out.


August 2, 2011


It is the anniversary of my wedding to Amanda today. Last year on our anniversary we watched the spectacularly bad Sharks in Venice. This year we’re reviewing Sharktopus. This must say something about us. I have been looking forward to this movie for months. Ever since I heard the title I’ve been in love with this movie. It’s like Snakes on a Plane – the title really says it all. Then I saw the preview and I became even more convinced that this was the perfect ultimate cheesefest for today, and boy was I right.

This movie has EVERYTHING. It has a secret military project to build a perfect biological weapon (which goes horribly wrong of course.) It has beautiful women in bikinis getting eaten by a mutated shark-octopus monster. It has the sexy but smart daughter of the man in charge of the S-11 project who is out trying to re-capture the beast before it can kill again. It has the rogue war veteran who only cares about the money being offered by Sands to capture the Sharktopus. It has the hard-nosed female reporter determined to break the story and the alcoholic sea captain who is her only witness. It is frighteningly self aware – with characters actually making fun of the plot of the movie because it is so very predictable. It has the obligatory Wilhelm scream. It even features a cameo by producer Roger Corman (although his role is far smaller than in Dinoshark, which we reviewed a couple days ago.)

Sharks in Venice may have been the most hilariously badly made shark movie we own, but this movie is the absolutely best digital shark monster movie ever. It fulfilled my every expectation from its Mortal Kombat style digital dismemberings to its delightfully predictable plot. A number of the extras that the shark eats are clearly not professional actors and their line reads are hilarious – as is their flailing as the digital creature attacks them.

I was delighted with every aspect of this movie. Eric Roberts, the only big name actor in the movie, portrays the villain Nathan Sands with scenery chewing relish. The rest of the cast, non actors included, are completely invested in the film and bring it to wonderful life. A couple of the establishing shots are of strangely low quality with clear artifacing on the DVD we were watching, but balancing that out on the other hand there are these incongruously artistic segments of the film where director Declan O’Brien presents phone conversations between Sands and his daughter Nicole as a sort of dynamic split screen.

As an added bonus this movie works as a sort of companion piece to Dinoshark, which was also produced in the same year by Roger Corman. Both digital shark monsters for some reason end up menacing the same Mexican resort town. I guess Corman just got a bulk deal for filming there – and he’s always been one to save a buck in every way possible with his movie making. I’d say that Dinoshark is superior, just in that it has such a laughably silly monster, but both are fantastic examples of the genre of digital shark monster attacks. If you’re the kind of person who gets delight from watching a digital shark monster eating helpless tourists I can’t possibly recommend this movie enough.


August 2, 2011 - Posted by | daily reviews | , , , ,

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