Movie 546 – The Chronicles of Narnia: The Silver Chair
The Chronicles of Narnia: The Silver Chair – August 29th, 2011
Where the current series of adaptations has stopped and gone back, the BBC series went on for one more in the timeline while they still had the actor who played Eustace in The Voyage of the Dawn Treader at the right age for The Silver Chair. I can’t fault them that, though I have to say that this is my second least favorite of the Narnia stories (the very least favorite being The Horse and His Boy, which I could never quite get into). It’s not the concept so much as the characters. And it’s not the characters in general so much as Jill Pole. I want to like it a hell of a lot more than I do and that’s frustrating.
The thing about the earlier stories is that they’re mostly about grand adventures in the wondrous land of Narnia. The children brought through from our world to Narnia have a sense of epic destiny and importance. And while there’s plenty of danger to go around, there are also friendly allies and the general knowledge that the heroes aren’t alone. This story, on the other hand, is rather dire. And made more so because of the air of missed opportunity. Eustace Scrubb returns to Narnia in this story, having entered when he and a schoolmate, Jill Pole, wanted to get away from some bullies. The thing is, their adventure starts quite differently than all the others. They start in Aslan’s country. And instead of organically finding out what needs doing by exploring in Narnia, Aslan sets out specific tasks for them. Tasks they mess up at every opportunity.
On one hand, things go awry as soon as Eustace and Jill arrive, so perhaps if they hadn’t, Aslan would have just sent them on their way without any instructions and trusted that they’d figure it out along the way. On the other hand, he didn’t drop them directly into Narnia, so I take that as an implication that he was planning on talking to them at the outset anyhow. Regardless, Jill earns some distinct grumbling from me when she shows off, makes Eustace fall over the edge of a cliff and then has such trouble remembering four simple directions from Aslan that she arrives in Narnia too late to convince Eustace of the first one. And that right there sets the tone for the whole thing.
The purpose behind Eustace and Jill being in Narnia this time is to save Caspian’s son, Rillian, from a witch who has kidnapped him and imprisoned him for years. Caspian is now old and sick and they witness him leaving to sail out to the islands, Eustace not realizing that the elderly king is his old friend. Of course, the first instruction Aslan gave Jill was to tell Eustace the first person he saw would be an old friend and he should go to him at once to get the help they’d need for their quest. Jill gets there late, Eustace doesn’t understand what Aslan meant and Caspian sails off without speaking to him. No help for them! Fortunately for them, the talking owls help them out, deciding that the assistance they need is a Marshwiggle.
Now, Puddleglum the Marshwiggle is one of my favorite parts of this movie, and not just because he’s played by Tom Baker, though that is certainly amusing. But he’s one of the few touches of Narnia in the story, since the adventure itself takes Jill and Eustace far to the north. He’s much like Trumpkin the Dwarf was before he believed in Aslan. Very pessimistic and talking down much of what he encounters. But he’s also quite brave and he knows more about the land than either of the two human children, so he’s a good companion to have on an adventure like this. So with Puddleglum in tow, they set off northwards to find the missing prince and return him to Narnia.
And as they go, Jill manages to forget pretty much everything she was told by Aslan. She and Eustace fight and bicker and prod at each other constantly. Puddleglum’s dour and negative nature eventually wear the two others down and they start ignoring his advice. They miss two instructions and end up almost eaten by giants. And through it all I can’t help but think “If Lucy was there, she’d have found Rillian, brought him back and thrown a party by now. Get on with it!”
Now, I’m pretty sure that’s the story itself as written. As I said, I’m not as fond of this one as I am of the first three and the last two, so I haven’t read it as many times as I’ve read the others. But given how faithful the other BBC adaptations were, I expect that holds true for this one as well. Which means I can lay it all at C.S. Lewis’ feet. On one hand, I understand that after writing the first three, with the Pevensies and grand armies and adventures with kings and all, writing a different type of adventure must have been nice. They can’t all be romps with royalty through beautiful Narnia. There’s a widening of the world here as Eustace and Jill discover places that we were never shown in the earlier stories. And I appreciate that. I just wish that these dangerous and grim lands had been explored by people a little more likeable, who could see the mysterious magic of their surroundings better than Eustace, Jill and Puddleglum do. As it is, while Eustace is a good deal better here than he was when we met him in The Voyage of the Dawn Treader, and I like Puddleglum as a character, Eustace and Jill aren’t a great pair. It’s as if the entirety of The Lion, the Witch and the Wardrobe was told with Lucy and Edmund traveling together, before Edmund spoke to Aslan.
What I’m trying to say is that it’s just not fun to watch this group have an adventure. The movie was shot in lovely country and I like all the ideas of there being a ruined giant city and the “gentle” giants who are only gentle in that they’ll cook you before they eat you. The underground kingdom isn’t anything terribly special, but the costumes are amusing and there’s a nice blueish cast to everything that sets an eerie otherworldly mood. I’ve got no fault with the acting. It’s not the performances that keep me from enjoying this. After all, I like the David Thwaites, who plays Eustace and I love Tom Baker ad Puddleglum and while I don’t like the character of Jill I do think Camilla Power did well with her. And then there’s Barbara Kellerman as the witch. And I really kind of love that the White Witch, Green Witch and the hag from Prince Caspian are all played by the same person, as if all the witches in the stories are one force. It’s the story. And since the BBC sticks close to the stories with these adaptations, there really wasn’t ever going to be anything to help that.
The Chronicles of Narnia: The Silver Chair (BBC)
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