A and A's Movie A Day

Watching movies until we run out.

Gojira

September 10, 2011

Gojira

I have a long history with the Godzilla films. I’ve been a fan since I first saw the big rubber galoot during the Channel 56 Creature Double Feature. The movies had everything a thirteen year old boy could want in a movie. Aliens. Robots. Giant rubber monsters. Hilarious dubbing. I always wanted, however, to see the movies in a more pure form, un-dubbed and un-cut. I figured when DVD came around that Toho would eventually come out with special editions of the movies with sub-titles for American audiences so we could see the films the way they were meant to be seen. Since the movies are generally considered light-weight pop sci-fi this hasn’t really come to pass unfortunately, but this, the first Godzilla movie is an exception.

This film is not a popcorn sci-fi film for kids – it’s a serious disaster movie and obvious allegory about the dangers of nuclear proliferation. In addition, as the progenitor of the entire Godzilla line, and indeed the beginning of the Japanese giant rubber monster genre, this film has special historical significance. So it was that for the fiftieth anniversary Toho released this deluxe edition DVD set that includes the original Japanese Gojira movie. At last I got to see at least one of the Godzilla movies in its original form.

It’s a good thing, too, because if ever there was a movie that needed to be seen in Japanese with English subtitles to be properly appreciated it is this one. This movie is so quintessentially Japanese. Before the infamous monster ever appears on the screen we spend an awful lot of time being introduced to the little fishing village where he starts his reign of terror. As with many a monstery disaster movie the film starts out as more of a mystery. What has caused a small fleet of fishing boats and the boats sent to rescue them to disappear? There are only a couple survivors and they say that it was a monster that destroyed their boats. A supremely grizzled old man declares that it must be the same monster that used to terrorise the village known as Gojira.

At the heart of this movie are four human characters. There’s the scientifically minded paleontologist Dr Yamane who is the first to piece together just what the monster is. There’s his lovely daughter Emiko. There’s her fiance Ogata, and her childhood friend the one-eyed mad scientist Serizawa. Then of course there’s the two million year old living fossil with radioactive breath from hydrogen bomb tests – Godzilla himself.

Dr. Yamane doesn’t actually want the beast destroyed. He’d rather study the monster to understand it and how its species remained alive on the ocean bottom long after such dinosaurs were thought extinct. This causes some friction with Ogata, who takes a while to gather the nerve to ask the doctor if he can have his daughter’s hand in marriage, but insists that Godzilla is a threat that must be eliminated at all costs. Serizawa, meanwhile, has developed an ultimate weapon called an Oxygen Destructor that could probably destroy the monster, but he doesn’t want it to fall into the hands of politicians who could corrupt it and start a new arms race. He tells only Emiko of his discovery and swears her to secrecy.

A couple things struck me as I watched this again tonight. The first was just how bleak parts of this movie are. After Gojira’s attack on Tokyo there are several scenes in infirmaries and hospitals that drive home that this attack has not just destroyed a bunch of detailed models and set fire to sets – it has had a brutal impact on the people of Japan. There are irradiated children. There is a dead woman and her inconsolable daughter. There are hundreds of bodies on stretchers. It is a powerful scene of emotional devastation which must have been even more intense when the film first came out, less than ten years after Japan became the only nation on the planet ever to be attacked with nuclear weapons.

The other thing that struck me this time was the caliber of the talent brought on board for this movie. Of course the monster itself and the destruction it wreaks are fantastic to watch. The special effects work as well today as they ever did. I also love the actors they have on board. In particular I was amused when I thought I recognised the actor playing Dr. Yamane and checked IMDB to find that he is the ubiquitous Takashi Shimura (who we will also be seeing in The Seven Samurai when we review that for our collection.) Glancing at his resume leads me to believe that he probably starred in every Japanese movie made in the twentieth century. Or close to it.

I still heartily wish that there were a comprehensive Godzilla special edition collection that gave the same kind of attention to even the cheesiest and stupidest of Godzilla movies as is lovingly provided to the original on this DVD, but at least for now I can take comfort in the fact that we have this one movie in our collection. I’ve proposed the idea to Amanda that we should watch the dubbed American version tomorrow as a separate film, since so much was altered to make it more palatable for American audiences. We’ll see how we feel about that tomorrow.

Advertisements

September 10, 2011 - Posted by | daily reviews | , , , , , , ,

No comments yet.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: